And oh what a gang rape it is. After a bowling match between freaky hipsters and roid-raging jock-types ends prematurely, a hot brunette (Candice Lewald) wanders back into the bowling alley looking for her lost purse, only to find the head asshole jock and his three flunkies just waiting to get their totally sadistic rape on. They drag her to the game room and throw her up on the pinball machine (somebody's seen The Accused haven't they) and the head jock rapes the fuck out of her underneath her hot pink skirt. Then douchebag #2 lays her doggystyle over the pool table and goes to town on her ass while she screams her fucking head off until he slams her face down hard against the table. Then she's tossed onto her back allowing for the best view of her tits yet and asshole #3 pounds her crotch like he's on a very special episode of 'Who Can Rape This Bitch the Hardest?' Finally, the nerdy sidekick of the bunch tries to get out of his rapetastic duties only to be bullied into shoving a whole fucking bowling pin into her cooze as forcefully as possible, leaving the bowling pin nice and splattered with blood.
So, naturally, a rape like that (8 minutes if you're clocking it) calls for some serious vengeance. But who's taking it? Well, we're never all that concerned with spoilers, but you're going to find that one out yourself kiddos. But, we will say this: the vengeance is sweet... if you define sweet by mindblowingly insane. A gay dude and a hot blonde chick go into the bathroom to 69 only to have the bowling bag masked killer suffocate them with each other's genitals. A tranny gets his junk cut off. A hot brunette gets strangled with bowling shoelaces while her beautiful bare titties are pressed against glass... needless to say, this isn't your typical slasher flick and its batshit crazy murders are strong evidence of that.
With bare boobs from all but one or two of the ladies, buckets of blood, brains and gore, a shaved cooze shot, an awesome catfight and cheezy '80s music, this might be one of the most demented horrorfests, we've seen in a long, long time."
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Coinciding with Eli's arrival is a series of inexplicable disappearances and murders. One man is found tied to a tree, another frozen in the lake, a woman bitten in the neck. Blood seems to be the common denominator - and for an introverted boy like Oskar, who is fascinated by gruesome stories, it doesn't take long before he figures out that Eli is a vampire. But by now a subtle romance has blossomed between Oskar and Eli, and she gives him the strength to fight back against his aggressors. Oskar becomes increasingly aware of the tragic, inhuman dimension of Eli's plight, but cannot bring himself to forsake her. Frozen forever in a twelve-year-old's body, with all the burgeoning feelings and confused emotions of a young adolescent, Eli knows that she can only continue to live if she keeps on moving. But when Oskar faces his darkest hour, Eli returns to defend him the only way she can.
Swedish filmmaker Tomas Alfredson weaves friendship, rejection and loyalty into a disturbing and darkly atmospheric, yet poetic and unexpectedly tender tableau of adolescence. The feature is based on the best-selling novel by John Ajvide Lindqvist.
'Let the Right One In is one of the essential horror films of the decade. It's also one of the most enthralling romances and one of the best films about children.' - Colin Covert, Minneapolis Star Tribune
'Funny, fear-inducing, with periods of voyeuristic gore and an undercurrent of anxiety and dread, Let the Right One In is up there with the bloodsucking classics.' - Steven Rea, Philadelphia Inquirer
Rated R for some bloody violence including disturbing images, brief nudity and language."
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In addition to all of the award-nominated heartbreaking performances, celebrity skin fans will find heaven in the amazing nudie scenes offered up by the aging-like-a-bottle-of-fine-wine Marisa Tomei."
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